New Slow and Steady Delivery!

Shabina trying on the new Slow and Steady Wins The Race Loop Scarf.

Max rockin the new Slow and Steady Wins the Race Last Unnamed Poncho!

Our Mini-Shop at Keep

We have a temporary mini-shop at the Keep Shoe store on Fairfax (in Los Angeles)

It will be there until the new year, and features 30 items hand-picked by staff and friends of the shop.

Opens this Friday! Come to the party, 6-9pm!

Bubble Up

Double custs!

Bobby and Buns, customers of the day.

Brendan Fowler at Rental Gallery
This Sunday November 15, 2009, 1-6 pm, free and open to all…come whenever you like, stay for however long! This event is part of Performa 09, the huge festival of performance art that is taking over they city of New York all this month!

If you go to this, say hi to our very own Max, who is in NY for a week and will be helping with the performance! AND on that note, please be extra extra patient with your mail-orders this week and next, as we are temporarily without the awesome MAX!

BDG + OP

New Dublab mix by Brian Degraw and Oliver Payne is up!

Recorded 8/27/09 in Los Angeles while the sun was setting

on the first night of those big fires

Check it out

Kathleen Hanna’s blog!

Q&A with Hanne Mugaas of Art Since the Summer of '69

Hanne Mugaas is the founder and co-director of Art Since the Summer of ’69.  The gallery, which began last year as a fun curatorial project with artist Cory Arcangel, recently became a full-fledged art space operated by Hanne and her friends Fabienne, Paul, and Ludwig the dog. Nestled in a 96 square-foot room on the second floor of an office building in NY’s Lower East Side, the gallery—which previously existed mainly in glow-in-the-dark art fair or PDF formats—finally has a physical home for its refreshing and polymorphous projects.  Since opening this past summer, they’ve hosted a week-long bar, a 15-inch art show, and perhaps more dogs per square foot than any gallery in New York City: their last show was an exhibition that traced the role of the Bichon Frise dog in the history of painting. Recently we got to visit the gallery and chat with Hanne…

Tell us about the origins of Art Since the Summer of ’69.
Art Since the Summer of ‘69 came about in 2008, when Cory Arcangel and I were invited to participate in the Dark Fair (an art fair that took place in the dark) at Swiss Institute in New York. The problem was that we did not have a gallery, so we had to start one. So we did, and named it Art Since the Summer of ‘69. Fabienne Stephan helped us put together the booth, as she is a real gallery director (at Salon 94) and knew how to do art fairs. The booth at the Dark Fair was our first “exhibition.” Shortly thereafter, Cory quit, and I did the project alone as a mobile thing for a while, with Secondary Market at Ooga Booga and a screening at the Dark Fair at Kolnicher Kunstverein, among others. Fabienne acted as a consultant on some of the projects, and we started talking about opening a space together. In May 2009 we found our current space, which is 6 x 16 feet, and opened it in June 2009 with the show “As Small As It Gets.” By then, Fabienne’s husband Paul Aymar Mourgue d’Algue had joined our team. So now we are three directors, plus Fabienne’s and Paul’s dog—the daschund Ludwig Von Truffel—who is always with us at the gallery.

Awesome, congratulations!  Is there a story behind the name?
The name is based on the Bryan Adams hit single “Summer of ‘69” and on Rauschenberg’s ‘40 year rule’, where he said that to do something great / become successful, go forty years back in time, steal something and make it yours. Our space opened in the summer of 2009, 40 years after the summer of ‘69.

Can you give us a run-down of the shows and projects you’ve done thus far?
The Dark Fair, which gathered friends, family and associates of the gallery; Gallery Show No. 1, which was in a makeup room on Broadway; Secondary Market at Ooga Booga, which was “art debris objects” which I found on Ebay and then sold in my little shop (still for sale, here). At Ooga Booga we also showed Josh Blackwell’s plastic bags in the windows.

Next was “KINO, A Screening of Dreams and Hopes for Times like These,” a screening I put together for the Dark Fair in Cologne. This was not long after the recession happened, so I decided to make a screening of happiness to cheer everyone up, including works by young artists, but also clips from movies that were in cinemas during the Great Depression, such as those by Busby Berkeley, which intention was to make people happy, at least for a couple of hours. Then I did the “PDF The ‘Painting’ Show,” and finally we found our space which opened in June with the exhibition “As Small As It Gets,” where our tiny space had fifteen sculptures by fifteen artists, all under 15”. In August we had a small secret “Ar Bar,” where Paul collaborated with the artist Bozidar Brazda on a week with different themes every night, and the space was designed like one of those Japanese hole in the wall bars. Since we’re really a hole in the wall gallery it was very successful.

As a fellow “tiny upstairs business,” how do you like being in a small second floor space?
We love being upstairs in a tiny space. The space is very manageable; we never have the problem of not having enough works to fill up the space. We like to say that our floor space is the same size as a painting hanging in a Chelsea gallery. I often try to prepare people for how small it is, and everyone says, “Yes, we get it, it’s tiny,” but then they still go, “Wow, it IS really small,” when they’re finally here. On the opening of “The Bichon Frise in Art,” we had fifteen Bichons here, the space was packed with cuteness, the best art opening I’ve ever been to, and certainly the only one where everyone was looking down on the floor instead of at the art/each other.

Haha…what was the idea behind the Bichon Frise show?
“The Bichon Frise in Art” show, which just closed, was based on a project by Edward J. Shephard Jr., a librarian at Binghamton University, who in 1996 started working on his website, The Bichon Frise in Art. His project, which is still ongoing, is to go through art history books, and any painting or sculpture with a little white dog that might be a bichon in it will get scanned and uploaded to his website, which is a museum by now, with different “rooms” for different centuries and artists. We hung reproductions of a selection of the paintings in the gallery, and we also invited five artists to get inspired by the website and make new works, which were also on view.

I see that you guys represent an artist named Marcel Dionne.  May I ask who he is?
Sure!  Marcel is our in-house artist, an “international man of mystery.” Keeping with the gallery’s small size, Marcel is exploring cuteness through his work. Unfortunately, according to The New York Times, 2005, not 1969, was the year of cute.

What’s coming up next at the space?
November: sculptures by Lina Viste Gronli, and two performances in collaboration with Performa ‘09, by Nils Bech and Bendik Giske.
December: Objects, Furniture and Patterns, an interior design show (I’ve always dreamed of doing an interior design show), where the gallery will be made into a living room, with artists contributing the furniture, including table, chairs, curtains, lamps, etc. etc.  Ooga Booga will be part of the show too!
2010: Solo shows by Charles Irvin, Benjamin Valenza, and Ligia Dias and more to come..!

Lastly, you made a very popular calendar and glow-in-the-dark prints for us last year, will there be a 2010 calendar?
Yes! It’s coming soon.

Cool! Thanks so much for talking with us :)

Happy birthday Bobby Digital, I mean…Caramel!

Caramel Bobby turned 9 yesterday.